A group of graduate students and scientists uncover an ancient canister in an abandoned church, but when they open it, they inadvertently unleash a strange liquid and an evil force on all of humanity.
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Production | Andre Blay | Executive Producer |
Production | Shep Gordon | Executive Producer |
Editing | Steve Mirkovich | Editor |
Camera | Gary B. Kibbe | Director of Photography |
Sound | John Carpenter | Original Music Composer |
Directing | John Carpenter | Director |
Sound | Alan Howarth | Original Music Composer |
Production | Larry Franco | Producer |
Writing | John Carpenter | Screenplay |
Production | Linda Francis | Casting |
Crew | Justin De Rosa | Stunts |
Crew | Wayne King | Stunts |
Crew | Randy Hall | Stunts |
Crew | Mario Roberts | Stunts |
Sound | Charles Davis | Assistant Sound Editor |
Crew | Debbie Evans | Stunts |
Crew | Simone Boisseree | Stunts |
Crew | Christine Anne Baur | Stunts |
Crew | Ellarye | Stunts |
Art | Daniel A. Lomino | Production Design |
Production | Marian Shambo | Production Coordinator |
Production | Ken Lavet | Location Manager |
Directing | Sandy King | Script Supervisor |
Art | Rick Gentz | Set Decoration |
Production | Stratton Leopold | Unit Production Manager |
Production | Melanie Massey | Casting Assistant |
Crew | Bob Herron | Stunts |
Art | Anthony Tomeo | Standby Painter |
Art | Claudia Gilligan Ivanjack | Standby Painter |
Art | Rick Caprarelli | Leadman |
Camera | Jud Kehl | Camera Operator |
Sound | Joseph F. Brennan | Boom Operator |
Sound | Val Kuklowsky | Supervising Sound Editor |
Crew | Rick Chavez | Craft Service |
Sound | John O. Wilde | Assistant Sound Editor |
Sound | Dane A. Davis | Sound Effects |
Camera | Ron Peebles | Best Boy Grip |
Camera | Frederick Hamm | Second Assistant Camera |
Sound | Frank Howard | Sound Editor |
Crew | Kevin Quibell | Special Effects Coordinator |
Editing | Timothy Alverson | First Assistant Editor |
Crew | Kimberley Coy | Unit Publicist |
Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
Sound | Jeremy J. Gordon | Sound Editor |
Production | Bess Gilbert | Extras Casting |
Sound | John P. Fasal | Sound Effects |
Editing | Frederick Wardell | Assistant Editor |
Lighting | Charles Smock | Electrician |
Lighting | Ken Spencer | Gaffer |
Camera | Casey Hotchkiss | First Assistant Camera |
Visual Effects | Robert Grasmere | Visual Effects Supervisor |
Lighting | Kevin Arnold | Electrician |
Camera | Joseph E. Thibo | First Assistant Camera |
Sound | Eric Lindemann | Sound Editor |
Editing | Dode Weyant | Negative Cutter |
Costume & Make-Up | Deahdra Scarano | Costume Supervisor |
Costume & Make-Up | Mark Peterson | Costumer |
Sound | Laura Hekking | ADR Recordist |
Sound | Greg Curda | Foley Mixer |
Sound | David J. Hudson | Sound Re-Recording Mixer |
Art | Michael Wright | Construction Foreman |
Art | Larry Verne | Construction Coordinator |
Costume & Make-Up | Janis Clark | Hairstylist |
Sound | Bruce Bell | Foley Recordist |
Sound | Thomas Causey | Production Sound Mixer |
Art | Audrey A. Johnson | Assistant Property Master |
Art | Richard M. Kerns | Assistant Property Master |
Art | Kent H. Johnson | Property Master |
Sound | Mel Metcalfe | Sound Re-Recording Mixer |
Sound | Terry Porter | Sound Re-Recording Mixer |
Crew | Jeff Imada | Stunt Coordinator |
Camera | Danny Falkengren | Grip |
Sound | Doc Kane | ADR Mixer |
Sound | Joan Rowe | Foley Artist |
Sound | Michael Hilkene | Supervising Sound Editor |
Production | Joy Ewing | Production Accountant |
Lighting | Rob McCarthy | Best Boy Electric |
Camera | Charles Saldaña | Key Grip |
Camera | Kirk Bales | Dolly Grip |
Camera | John R. Hamilton | Still Photographer |
Directing | Larry Franco | First Assistant Director |
Sound | Jerry Trent | Foley Artist |