After the Cold War, a breakaway Russian republic with nuclear warheads becomes a possible worldwide threat. U.S. submarine Capt. Frank Ramsey signs on a relatively green but highly recommended Lt. Cmdr. Ron Hunter to the USS Alabama, which may be the only ship able to stop a possible Armageddon. When Ramsay insists that the Alabama must act aggressively, Hunter, fearing they will start rather than stop a disaster, leads a potential mutiny to stop him.
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| Sound | Hans Zimmer | Original Music Composer |
| Editing | Chris Lebenzon | Editor |
| Writing | Michael Schiffer | Story |
| Production | Don Simpson | Producer |
| Directing | Tony Scott | Director |
| Writing | Michael Schiffer | Screenplay |
| Production | Jerry Bruckheimer | Producer |
| Writing | Richard P. Henrick | Story |
| Sound | Michael McCormack | Utility Sound |
| Visual Effects | Matsune Suzuki | Modeling |
| Art | Michael White | Production Design |
| Sound | William B. Kaplan | Sound mixer |
| Sound | Gregory H. Watkins | Sound Re-Recording Mixer |
| Sound | Bob Badami | Music Editor |
| Sound | Will Kaplan | Music Editor |
| Art | Mickey S. Michaels | Set Decoration |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Costume & Make-Up | George L. Little | Costume Design |
| Sound | George Watters II | Supervising Sound Editor |
| Directing | P.R. Tooke | Script Supervisor |
| Camera | Linda R. Chen | Still Photographer |
| Camera | Dariusz Wolski | Director of Photography |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Camera | Richard Foreman Jr. | Still Photographer |
| Costume & Make-Up | Ellis Cohen | Costume Supervisor |
| Production | Victoria Thomas | Casting |
| Art | Dianne Wager | Art Direction |
| Production | James W. Skotchdopole | Associate Producer |
| Production | Bill Unger | Executive Producer |
| Production | Lucas Foster | Executive Producer |
| Production | Mike Moder | Executive Producer |
| Art | James J. Murakami | Art Direction |
| Art | Donald B. Woodruff | Art Direction |
| Crew | Chuck Picerni Jr. | Stunts |
| Crew | Conn Horgan | Stunts |
| Crew | Don Charles McGovern | Stunts |
| Crew | Pete Antico | Stunts |
| Crew | Tom Bergman | Stunts |
| Crew | Darren A. Caperna | Stunts |
| Crew | Carl Mergenthaler | Stunts |
| Crew | Jimmy Nickerson | Stunts |
| Crew | Alan Oliney | Stunts |
| Crew | Bob Arnold | Stunts |
| Crew | Big Daddy Wayne | Stunts |
| Crew | Gary Price | Stunts |
| Camera | Kurt E. Soderling | Aerial Camera |
| Art | John Hinkle | Standby Painter |
| Directing | James W. Skotchdopole | First Assistant Director |
| Camera | Dan Mindel | Additional Photography |
| Art | Edward G. Fitzgerald | Leadman |
| Art | Michael Papac | Property Master |
| Crew | Chris Haynes | Driver |
| Crew | Jan Richter-Friis | Lighting Camera |
| Art | Dow Griffith | Location Scout |
| Camera | J. Michael Popovich | Key Grip |
| Crew | Angie Russell | Digital Producer |
| Production | Jan Garner | Production Accountant |
| Camera | Tom Boyd | Underwater Camera |
| Crew | Dan DeLeeuw | Digital Effects Supervisor |
| Crew | Eddie A. Canett | Transportation Captain |
| Crew | Steve Picerni | Stunt Coordinator |
| Crew | Gabriela Gutentag | Unit Publicist |
| Production | Matthew Barry | Casting Associate |
| Camera | Martin Schaer | Camera Operator |
| Costume & Make-Up | Ellen Wong | Makeup Artist |
| Crew | Miguel Ángel Poveda | Post Production Supervisor |
| Crew | Darrell Pritchett | Special Effects |
| Lighting | Michael S. Adler | Electrician |
| Sound | Bruce Fowler | Orchestrator |
| Crew | Peggy Names | Cableman |
| Visual Effects | Monte Swann | 24 Frame Playback |
| Lighting | Ted Lewis | Rigging Grip |
| Sound | Fred Burke | Foley Editor |
| Sound | Midge Costin | Sound Editor |
| Sound | Kevin Clark | Sound Effects Editor |
| Art | Steve Fegley | Construction Foreman |
| Camera | Dan Kneece | Steadicam Operator |
| Crew | John P. Fasal | Special Sound Effects |
| Sound | Marva Fucci | Assistant Sound Editor |
| Camera | Hilary Klym | Grip |
| Crew | Christopher Ward | Additional Music |
| Visual Effects | John Murrah | Compositing Artist |
| Editing | Rick Howe | First Assistant Editor |
| Production | Crys Forsyth-Smith | Production Coordinator |
| Production | Michael Fottrell | Unit Production Manager |
| Art | Daniel Maltese | Assistant Art Director |
| Art | Richard Lawrence | Set Designer |
| Costume & Make-Up | Ron Scott | Hairstylist |
| Visual Effects | Cecil Kramer | Visual Effects Producer |
| Camera | Jim Dickson | Underwater Director of Photography |
| Production | Craig Pointes | Location Manager |
| Visual Effects | Tim Sassoon | Visual Effects |
| Crew | Thomas R. Bryant | Visual Effects Editor |
| Sound | Earl Sampson | Boom Operator |
| Lighting | David Bartholomew | Gaffer |
| Art | Dennis DeWaay | Construction Coordinator |
| Art | Sean Hargreaves | Production Illustrator |
| Camera | Dennis J. Laine | First Assistant Camera |
| Crew | Al Di Sarro | Special Effects Coordinator |
| Crew | Michael Antunez | Transportation Coordinator |
| Editing | Bob Putynkowski | Color Timer |
| Visual Effects | Hoyt Yeatman | Visual Effects Supervisor |
| Crew | Ernest H. Lauterio | Craft Service |
| Sound | Matt Araki | Sound Recordist |
| Sound | Greg P. Russell | Additional Sound Re-Recording Mixer |
| Crew | Gustavo R. Ferreyra | Special Effects Technician |
| Camera | Duane Mieliwocki | Assistant Camera |
| Lighting | Claudio Miranda | Chief Lighting Technician |
| Production | Vanessa Bendetti | Production Assistant |
| Camera | Larry Sweet | Dolly Grip |
| Editing | David Dresher | Associate Editor |
| Camera | Thomas Gibson | Best Boy Grip |
| Sound | Nick Glennie-Smith | Conductor |
| Directing | John Wildermuth | Second Assistant Director |
| Camera | Shai Greenberg | Camera Loader |
| Editing | Andrea Bottigliero | Assistant Editor |
| Production | David Anthony | Extras Casting |
| Sound | Denise Horta | ADR Editor |
| Art | Rick Chavez | Assistant Property Master |
| Camera | John Ellingwood | Second Assistant Camera |
| Lighting | Al DeMayo | Assistant Chief Lighting Technician |
| Directing | Angela C. Tortu | Second Second Assistant Director |
| Sound | Juno J. Ellis | Supervising ADR Editor |
| Production | Mark B. Johnson | Assistant Location Manager |
| Production | Jennifer Good | Assistant Production Coordinator |
| Crew | Skip Beard | Technical Advisor |
| Art | Robert Camron | Swing |
| Sound | Bob Baron | ADR Mixer |
| Production | Linda C. Azevedo | Second Assistant Accountant |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Kevin Bartnof | Foley Artist |
| Editing | Mary Beth Smith | Negative Cutter |
| Visual Effects | Blaine Kennison | Compositing Supervisor |
| Art | Robert Dawson | Title Designer |
| Sound | Bruno Roussel | Assistant Sound Engineer |
| Sound | Eric Gotthelf | Foley Mixer |
| Production | Linden Johnson | First Assistant Accountant |
