After the Cold War, a breakaway Russian republic with nuclear warheads becomes a possible worldwide threat. U.S. submarine Capt. Frank Ramsey signs on a relatively green but highly recommended Lt. Cmdr. Ron Hunter to the USS Alabama, which may be the only ship able to stop a possible Armageddon. When Ramsay insists that the Alabama must act aggressively, Hunter, fearing they will start rather than stop a disaster, leads a potential mutiny to stop him.
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Writing | Michael Schiffer | Screenplay |
Production | Don Simpson | Producer |
Editing | Chris Lebenzon | Editor |
Writing | Richard P. Henrick | Story |
Directing | Tony Scott | Director |
Writing | Michael Schiffer | Story |
Production | Jerry Bruckheimer | Producer |
Sound | Hans Zimmer | Original Music Composer |
Sound | Michael McCormack | Utility Sound |
Visual Effects | Matsune Suzuki | Modeling |
Camera | Dariusz Wolski | Director of Photography |
Art | Michael White | Production Design |
Sound | Kevin O'Connell | Sound Re-Recording Mixer |
Sound | Rick Kline | Sound Re-Recording Mixer |
Sound | William B. Kaplan | Sound mixer |
Sound | Gregory H. Watkins | Sound Re-Recording Mixer |
Sound | Will Kaplan | Music Editor |
Camera | Linda R. Chen | Still Photographer |
Camera | Richard Foreman Jr. | Still Photographer |
Sound | Bob Badami | Music Editor |
Directing | P.R. Tooke | Script Supervisor |
Art | Mickey S. Michaels | Set Decoration |
Costume & Make-Up | George L. Little | Costume Design |
Sound | George Watters II | Supervising Sound Editor |
Costume & Make-Up | Ellis Cohen | Costume Supervisor |
Art | Donald B. Woodruff | Art Direction |
Production | Lucas Foster | Executive Producer |
Production | Bill Unger | Executive Producer |
Production | Mike Moder | Executive Producer |
Production | James W. Skotchdopole | Associate Producer |
Art | Dianne Wager | Art Direction |
Art | James J. Murakami | Art Direction |
Production | Victoria Thomas | Casting |
Crew | Chuck Picerni Jr. | Stunts |
Crew | Conn Horgan | Stunts |
Crew | Pete Antico | Stunts |
Crew | Alan Oliney | Stunts |
Crew | Carl Mergenthaler | Stunts |
Crew | Darren A. Caperna | Stunts |
Crew | Bob Arnold | Stunts |
Crew | Tom Bergman | Stunts |
Crew | Don Charles McGovern | Stunts |
Crew | Big Daddy Wayne | Stunts |
Crew | Jimmy Nickerson | Stunts |
Crew | Gary Price | Stunts |
Camera | J. Michael Popovich | Key Grip |
Crew | Peggy Names | Cableman |
Crew | John P. Fasal | Special Sound Effects |
Production | Matthew Barry | Casting Associate |
Art | Dow Griffith | Location Scout |
Camera | Hilary Klym | Grip |
Crew | Angie Russell | Digital Producer |
Art | Steve Fegley | Construction Foreman |
Visual Effects | Tim Sassoon | Visual Effects |
Crew | Thomas R. Bryant | Visual Effects Editor |
Camera | Kurt E. Soderling | Aerial Camera |
Camera | Martin Schaer | Camera Operator |
Crew | Darrell Pritchett | Special Effects |
Crew | Gabriela Gutentag | Unit Publicist |
Production | Michael Fottrell | Unit Production Manager |
Camera | Dan Kneece | Steadicam Operator |
Visual Effects | John Murrah | Compositing Artist |
Lighting | David Bartholomew | Gaffer |
Sound | Fred Burke | Foley Editor |
Costume & Make-Up | Ron Scott | Hairstylist |
Costume & Make-Up | Ellen Wong | Makeup Artist |
Crew | Christopher Ward | Additional Music |
Crew | Miguel Ángel Poveda | Post Production Supervisor |
Editing | Rick Howe | First Assistant Editor |
Lighting | Michael S. Adler | Electrician |
Production | Crys Forsyth-Smith | Production Coordinator |
Sound | Earl Sampson | Boom Operator |
Visual Effects | Hoyt Yeatman | Visual Effects Supervisor |
Art | Michael Papac | Property Master |
Art | John Hinkle | Standby Painter |
Crew | Ernest H. Lauterio | Craft Service |
Sound | Midge Costin | Sound Editor |
Production | Jan Garner | Production Accountant |
Art | Sean Hargreaves | Production Illustrator |
Crew | Al Di Sarro | Special Effects Coordinator |
Crew | Eddie A. Canett | Transportation Captain |
Crew | Michael Antunez | Transportation Coordinator |
Directing | James W. Skotchdopole | First Assistant Director |
Visual Effects | Monte Swann | 24 Frame Playback |
Crew | Chris Haynes | Driver |
Crew | Jan Richter-Friis | Lighting Camera |
Sound | Bruce Fowler | Orchestrator |
Editing | Bob Putynkowski | Color Timer |
Lighting | Ted Lewis | Rigging Grip |
Production | Craig Pointes | Location Manager |
Art | Dennis DeWaay | Construction Coordinator |
Camera | Dennis J. Laine | First Assistant Camera |
Sound | Matt Araki | Sound Recordist |
Art | Edward G. Fitzgerald | Leadman |
Art | Richard Lawrence | Set Designer |
Camera | Tom Boyd | Underwater Camera |
Crew | Dan DeLeeuw | Digital Effects Supervisor |
Crew | Steve Picerni | Stunt Coordinator |
Sound | Kevin Clark | Sound Effects Editor |
Visual Effects | Cecil Kramer | Visual Effects Producer |
Art | Daniel Maltese | Assistant Art Director |
Camera | Dan Mindel | Additional Photography |
Camera | Jim Dickson | Underwater Director of Photography |
Sound | Marva Fucci | Assistant Sound Editor |
Sound | Nick Glennie-Smith | Conductor |
Lighting | Al DeMayo | Assistant Chief Lighting Technician |
Production | Jennifer Good | Assistant Production Coordinator |
Art | Robert Dawson | Title Designer |
Sound | Bruno Roussel | Assistant Sound Engineer |
Sound | Kevin Bartnof | Foley Artist |
Visual Effects | Blaine Kennison | Compositing Supervisor |
Production | Vanessa Bendetti | Production Assistant |
Editing | Andrea Bottigliero | Assistant Editor |
Editing | David Dresher | Associate Editor |
Art | Rick Chavez | Assistant Property Master |
Camera | Shai Greenberg | Camera Loader |
Production | Linden Johnson | First Assistant Accountant |
Crew | Gustavo R. Ferreyra | Special Effects Technician |
Camera | John Ellingwood | Second Assistant Camera |
Directing | John Wildermuth | Second Assistant Director |
Lighting | Claudio Miranda | Chief Lighting Technician |
Directing | Angela C. Tortu | Second Second Assistant Director |
Sound | Denise Horta | ADR Editor |
Sound | Greg P. Russell | Additional Sound Re-Recording Mixer |
Sound | Juno J. Ellis | Supervising ADR Editor |
Production | Mark B. Johnson | Assistant Location Manager |
Camera | Duane Mieliwocki | Assistant Camera |
Crew | Skip Beard | Technical Advisor |
Production | Linda C. Azevedo | Second Assistant Accountant |
Editing | Mary Beth Smith | Negative Cutter |
Camera | Larry Sweet | Dolly Grip |
Sound | Eric Gotthelf | Foley Mixer |
Production | Barbara Harris | ADR Voice Casting |
Production | David Anthony | Extras Casting |
Art | Robert Camron | Swing |
Sound | Bob Baron | ADR Mixer |
Camera | Thomas Gibson | Best Boy Grip |