The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
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| Crew | Trey Edward Shults | Intern |
| Directing | Terrence Malick | Director |
| Writing | Terrence Malick | Writer |
| Production | Greg Eliason | Other |
| Production | Sandhya Shardanand | Associate Producer |
| Production | Ivan Bess | Associate Producer |
| Art | David Crank | Art Direction |
| Production | Steve Schwartz | Co-Executive Producer |
| Production | Susan Kirr | Line Producer |
| Production | Paula Mae Schwartz | Co-Executive Producer |
| Production | Carlo Hintermann | Line Producer |
| Production | Nicolas Gonda | Co-Producer |
| Production | Nigel Ashcroft | Other |
| Sound | Zbigniew Preisner | Songs |
| Sound | Roanna Gillespie | Music Supervisor |
| Sound | Alexandre Desplat | Original Music Composer |
| Camera | Emmanuel Lubezki | Director of Photography |
| Art | Jeanette Scott | Set Decoration |
| Production | Donald Rosenfeld | Executive Producer |
| Editing | Mark Yoshikawa | Editor |
| Costume & Make-Up | Jean Ann Black | Makeup Artist |
| Costume & Make-Up | Suzy Freeman | Costume Supervisor |
| Production | Grant Hill | Producer |
| Production | Vicky Boone | Casting |
| Production | Brad Pitt | Producer |
| Sound | Dick Bernstein | Music Editor |
| Art | Jack Fisk | Production Design |
| Production | Dede Gardner | Producer |
| Editing | Jay Rabinowitz | Editor |
| Production | Francine Maisler | Casting |
| Crew | Jeff Schwan | Stunt Coordinator |
| Editing | Hank Corwin | Editor |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Lighting | Mark Manthey | Gaffer |
| Camera | Jörg Widmer | Camera Operator |
| Production | Bill Pohlad | Producer |
| Costume & Make-Up | Kelly Nelson | Hair Department Head |
| Production | Sarah Green | Producer |
| Costume & Make-Up | Darylin Nagy | Makeup Department Head |
| Editing | Daniel Rezende | Editor |
| Editing | Billy Weber | Editor |
| Directing | Rebecca Fulton | Script Supervisor |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Art | George Hull | Concept Artist |
| Sound | Will Files | Sound Designer |
| Visual Effects | Bryan Hirota | Visual Effects |
| Visual Effects | Michael Shand | Visual Effects |
| Sound | Joel Dougherty | Sound Editor |
| Visual Effects | Bradley Friedman | Visual Effects |
| Sound | Erik Aadahl | Sound Designer |
| Sound | Craig Berkey | Sound Designer |
| Sound | Kirk Francis | Sound Mixer |
| Sound | Justin Herman | Sound Engineer |
| Sound | John Pritchett | Sound Mixer |
| Visual Effects | Dan Glass | Visual Effects |
| Sound | Erik Aadahl | Supervising Sound Editor |
| Sound | Matthew Reale | Sound Re-Recording Mixer |
| Visual Effects | Douglas Trumbull | Visual Effects |
| Sound | Chris Scarabosio | Sound Re-Recording Mixer |
| Visual Effects | Paul Riddle | Visual Effects |
| Editing | Andrew Francis | Colorist |
| Directing | Paul Atkins | Second Unit Director |
| Production | Sarah Green | Unit Production Manager |
| Sound | Hamilton Sterling | Foley Editor |
| Costume & Make-Up | Elliott Hostetter | On Set Dresser |
| Art | Ruth De Jong | Art Department Coordinator |
