The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.
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| Crew | Trey Edward Shults | Intern |
| Directing | Terrence Malick | Director |
| Writing | Terrence Malick | Writer |
| Production | Sandhya Shardanand | Associate Producer |
| Production | Steve Schwartz | Co-Executive Producer |
| Production | Paula Mae Schwartz | Co-Executive Producer |
| Production | Susan Kirr | Line Producer |
| Production | Carlo Hintermann | Line Producer |
| Production | Nicolas Gonda | Co-Producer |
| Production | Ivan Bess | Associate Producer |
| Production | Greg Eliason | Other |
| Production | Nigel Ashcroft | Other |
| Art | David Crank | Art Direction |
| Sound | Zbigniew Preisner | Songs |
| Sound | Roanna Gillespie | Music Supervisor |
| Sound | Alexandre Desplat | Original Music Composer |
| Camera | Emmanuel Lubezki | Director of Photography |
| Editing | Jay Rabinowitz | Editor |
| Editing | Hank Corwin | Editor |
| Editing | Daniel Rezende | Editor |
| Editing | Billy Weber | Editor |
| Editing | Mark Yoshikawa | Editor |
| Art | Jack Fisk | Production Design |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Art | Jeanette Scott | Set Decoration |
| Production | Donald Rosenfeld | Executive Producer |
| Production | Brad Pitt | Producer |
| Production | Bill Pohlad | Producer |
| Production | Sarah Green | Producer |
| Production | Grant Hill | Producer |
| Production | Dede Gardner | Producer |
| Production | Francine Maisler | Casting |
| Production | Vicky Boone | Casting |
| Costume & Make-Up | Jean Ann Black | Makeup Artist |
| Costume & Make-Up | Darylin Nagy | Makeup Department Head |
| Costume & Make-Up | Kelly Nelson | Hair Department Head |
| Directing | Rebecca Fulton | Script Supervisor |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Lighting | Mark Manthey | Gaffer |
| Camera | Jörg Widmer | Camera Operator |
| Costume & Make-Up | Suzy Freeman | Costume Supervisor |
| Crew | Jeff Schwan | Stunt Coordinator |
| Sound | Dick Bernstein | Music Editor |
| Art | George Hull | Concept Artist |
| Sound | Erik Aadahl | Supervising Sound Editor |
| Sound | Erik Aadahl | Sound Designer |
| Sound | Craig Berkey | Sound Designer |
| Sound | Joel Dougherty | Sound Editor |
| Sound | Will Files | Sound Designer |
| Sound | Kirk Francis | Sound Mixer |
| Sound | Justin Herman | Sound Engineer |
| Sound | John Pritchett | Sound Mixer |
| Sound | Matthew Reale | Sound Re-Recording Mixer |
| Sound | Chris Scarabosio | Sound Re-Recording Mixer |
| Visual Effects | Douglas Trumbull | Visual Effects |
| Visual Effects | Dan Glass | Visual Effects |
| Visual Effects | Bradley Friedman | Visual Effects |
| Visual Effects | Bryan Hirota | Visual Effects |
| Visual Effects | Paul Riddle | Visual Effects |
| Visual Effects | Michael Shand | Visual Effects |
| Editing | Andrew Francis | Colorist |
| Directing | Paul Atkins | Second Unit Director |
| Production | Sarah Green | Unit Production Manager |
| Sound | Hamilton Sterling | Foley Editor |
| Costume & Make-Up | Elliott Hostetter | On Set Dresser |
