Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.
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| Production | Alison Barrett | Casting |
| Production | George Miller | Producer |
| Directing | George Miller | Director |
| Art | Graham 'Grace' Walker | Production Design |
| Writing | George Miller | Screenplay |
| Camera | Dean Semler | Director of Photography |
| Editing | Richard Francis-Bruce | Editor |
| Sound | Maurice Jarre | Original Music Composer |
| Writing | Terry Hayes | Screenplay |
| Directing | George Ogilvie | Director |
| Crew | Spike Cherrie | Stunts |
| Crew | Marijke Rikki van Gyen | Stunts |
| Crew | Rangi Nikora | Stunts |
| Crew | Zenda Graves | Stunts |
| Crew | Ian Lind | Stunts |
| Costume & Make-Up | Norma Moriceau | Costume Design |
| Directing | Ian Kenny | Second Assistant Director |
| Production | Su Armstrong | Executive In Charge Of Production |
| Sound | Roger Savage | Sound Supervisor |
| Production | Antonia Barnard | Production Manager |
| Production | Terry Hayes | Co-Producer |
| Sound | Bruce Lamshed | Sound Designer |
| Directing | Steve E. Andrews | First Assistant Director |
| Production | Doug Mitchell | Co-Producer |
| Production | Marcus D'Arcy | Associate Producer |
| Directing | Stuart Freeman | First Assistant Director |
| Directing | Chris Webb | Second Assistant Director |
| Camera | Pat Nash | Grip |
| Sound | Tim Chau | Sound Effects Editor |
| Directing | Daphne Paris | Script Supervisor |
| Costume & Make-Up | Julie Frankham | Seamstress |
| Camera | Irvine G. McLaughlin | Key Grip |
| Crew | Steve Courtley | Special Effects Coordinator |
| Costume & Make-Up | Cheryl Newton | Wigmaker |
| Crew | Grant Page | Stunt Coordinator |
| Costume & Make-Up | Helen Evans | Makeup Artist |
| Sound | Lloyd Carrick | Sound Recordist |
| Editing | Louise Innes | First Assistant Editor |
| Sound | Karin Whittington | Dialogue Editor |
| Production | Steve Amezdroz | Associate Producer |
| Art | Anni Browning | Art Direction |
| Directing | Murray Robertson | Third Assistant Director |
| Production | Mike Fenton | Casting |
| Costume & Make-Up | Rosalina Da Silva | Makeup Artist |
| Costume & Make-Up | Elizabeth Ann Fardon | Key Makeup Artist |
| Editing | Claire O'Brien | First Assistant Editor |
| Directing | Ian Freeman | Third Assistant Director |
| Crew | Marcus D'Arcy | Post Production Supervisor |
| Sound | Craig Carter | Sound Effects Editor |
| Crew | Billy Malcolm | Key Scenic Artist |
| Crew | Ray Pedler | Scenic Artist |
| Art | Martin O'Neill | Set Decoration |
| Production | George Mannix | Location Manager |
| Sound | Joe Spinelli | Boom Operator |
| Sound | Tim Jordan | Dialogue Editor |
| Sound | Annabelle Sheehan | Dialogue Editor |
| Camera | Jim Sheldon | Still Photographer |
| Sound | Frank Lipson | Sound Effects Editor |
| Visual Effects | Michael Wood | Special Effects Supervisor |
| Crew | Scott J. Ateah | Stunts |
