Cocky researcher Sebastian Caine is working on a project to make living creatures invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase — using himself as the subject. The test is a success, but when the process can't be reversed and Caine seems doomed to future without flesh, he starts to turn increasingly dangerous.
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| Directing | Paul Verhoeven | Director |
| Editing | Mark Goldblatt | Editor |
| Production | Alan Marshall | Producer |
| Production | Douglas Wick | Producer |
| Writing | Andrew W. Marlowe | Screenplay |
| Production | Marion Rosenberg | Executive Producer |
| Editing | Ron Vignone | Editor |
| Camera | Jost Vacano | Director of Photography |
| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Howard Feuer | Casting |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Production | Stacy Lumbrezer | Co-Producer |
| Production | Kenneth Silverstein | Associate Producer |
| Crew | Lisa Hoyle | Stunt Double |
| Writing | H.G. Wells | Novel |
| Art | Sue Chan | Assistant Art Director |
| Costume & Make-Up | James W. Tyson | Costume Supervisor |
| Crew | Kevin Flatow | Post Production Assistant |
| Crew | Greg Brickman | Stunts |
| Sound | Carmen Flores De Tanis | Assistant Sound Editor |
| Art | Jim Wardell | Greensman |
| Art | Don Lanning | Sculptor |
| Art | Daniel R. Jennings | Set Designer |
| Crew | Jim Berney | CG Supervisor |
| Writing | Gary Scott Thompson | Story |
| Art | John M. Dwyer | Set Decoration |
| Art | Katherine Lambert | Art Department Coordinator |
| Camera | Gregory Irwin | First Assistant Camera |
| Camera | Gary Dagg | Key Grip |
| Camera | Michael Douglas Middleton | Still Photographer |
| Costume & Make-Up | Carrie Bauer | Set Costumer |
| Art | Joseph Martin | Location Scout |
| Camera | Jim Gordon | Grip |
| Costume & Make-Up | Jim Husbands | Set Dressing Artist |
| Crew | Michael Haboush | Stand In |
| Crew | Mark Schouten | Carpenter |
| Writing | Andrew W. Marlowe | Story |
| Costume & Make-Up | Barry R. Koper | Makeup Department Head |
| Art | Dale Allen Pelton | Art Direction |
| Costume & Make-Up | Alec Gillis | Makeup Designer |
| Art | Allan Cameron | Production Design |
| Crew | Scott Stokdyk | Digital Effects Supervisor |
| Crew | Gary Combs | Stunt Coordinator |
| Crew | Gerardo De La Cruz | Systems Administrators & Support |
| Crew | John P. Fasal | Special Sound Effects |
| Crew | Daniel C. McFadden | Loader |
| Crew | Chris Allen | Software Engineer |
| Visual Effects | David Rosenthal | I/O Supervisor |
| Camera | John Trapman | Camera Operator |
| Art | Miles Teves | Conceptual Design |
| Crew | Craig T. Currie | Propmaker |
| Sound | Joseph Geisinger | Production Sound Mixer |
| Costume & Make-Up | Luisa Abel | Makeup Artist |
| Crew | Edward Bellafiore | Production Office Assistant |
| Crew | Aaron Katz | Video Assist Operator |
| Directing | Louis D'Esposito | First Assistant Director |
| Sound | Alexander Courage | Orchestrator |
| Crew | Colin Epstein | Sequence Leads |
| Visual Effects | Krystin Johnson | CG Painter |
| Crew | Ken Bellanca | Driver |
| Crew | Matt Byrne | Utility Stunts |
| Production | Mitchell Bell | Production Coordinator |
| Visual Effects | Hans Metz | Special Effects Supervisor |
| Art | Mike Larrabee | Painter |
| Crew | Joel Renfro | Transportation Coordinator |
| Visual Effects | Kenneth Au | Digital Compositors |
| Crew | Peter S. Elliot | Visual Effects Editor |
| Editing | Jim Passon | Color Timer |
| Editing | Catherine Chase | First Assistant Editor |
| Lighting | Ken W. Ballantine | Lighting Technician |
| Production | Chris Silver Finigan | Production Accountant |
| Sound | Darrell Hall | Music Editor |
| Visual Effects | B.Z. Petroff | Visual Effects Producer |
| Visual Effects | Carol Ashley | 3D Artist |
| Crew | Todd Bates | Makeup Effects |
| Production | Robert Latham Brown | Production Manager |
| Visual Effects | Mitch Deoudes | Visual Effects |
| Crew | Tony Aylett | Machinist |
| Art | Teri Anne Kopp | Property Master |
| Crew | Brian Feeney | Set Production Assistant |
| Sound | Scott A. Hecker | Supervising Sound Editor |
| Visual Effects | Tom Gibbons | Animation Supervisor |
| Crew | Stanley Brossette | Unit Publicist |
| Directing | Haley McLane | Script Supervisor |
| Sound | Raul A. Bruce | Boom Operator |
| Lighting | Shane D. Kelly | Gaffer |
| Lighting | Rell Putt | Rigging Grip |
| Sound | Jason W. Jennings | Sound Effects Editor |
| Visual Effects | Kandece Brown | Visual Effects Coordinator |
| Visual Effects | Craig Hayes | Visual Effects Supervisor |
| Lighting | Benny McNulty | Best Boy Electric |
| Crew | Gilbert B. Combs | Stunt Coordinator |
| Visual Effects | Todd Vaziri | CG Artist |
| Directing | Scott E. Anderson | Second Unit Director |
| Costume & Make-Up | Edward Gould | Costumer |
| Directing | Steve Lonano | Second Second Assistant Director |
| Costume & Make-Up | Dawn Y. Line | Key Costumer |
| Costume & Make-Up | Whitney James | Makeup Supervisor |
| Art | Giacomo G. Ghiazza | Storyboard Artist |
| Sound | Linda Folk | ADR Editor |
| Directing | Juanma Fernández París | Second Assistant Director |
| Art | Craig T. Shordon | Decorator |
| Sound | Michael J. Benavente | Supervising Dialogue Editor |
| Visual Effects | Eric Reynolds | Lead Animator |
| Sound | Jeena M. Phelps | Assistant Dialogue Editor |
| Visual Effects | Scott E. Anderson | Senior Visual Effects Supervisor |
| Crew | Donn Markel | Special Effects Assistant |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Editing | Charlotte Spencer | Assistant Editor |
| Visual Effects | Andy King | Visual Effects Technical Director |
| Camera | Mike Gentile | Second Assistant Camera |
| Sound | Matthew Dettmann | Foley Artist |
| Sound | Susan Dudeck | Supervising ADR Editor |
| Production | Sissy Grover | Assistant Production Coordinator |
| Sound | Nick Vidar | Music Programmer |
| Production | Kenny Gallagher | Second Assistant Accountant |
| Production | Alonzo Ruvalcaba | Head of Production |
| Editing | John Nicolard | Digital Color Timer |
| Visual Effects | Greg Derochie | Compositing Lead |
| Production | J. Chan Claggett | Assistant Location Manager |
| Sound | David Lucarelli | ADR Recordist |
| Crew | Gary D. Bierend | Special Effects Technician |
| Visual Effects | Ralph Sevazlian | VFX Artist |
| Crew | Lester Speight | Stunt Driver |
| Editing | Mo Henry | Negative Cutter |
| Production | Paul-Michel Pierre-Benoist | Location Production Assistant |
| Crew | Laura Lee Connery | Stunt Double |
| Visual Effects | Jordu Schell | Character Designer |
| Production | David Hickey | Payroll Accountant |
| Sound | Richard Duarte | Foley Mixer |
| Production | Terri Douglas | ADR Voice Casting |
| Production | Tish Johnson | Assistant Accountant |
| Visual Effects | Brennan Doyle | Compositing Supervisor |
| Camera | Brian Mussetter | Assistant Camera |
| Visual Effects | Andrew Schwartz | Visual Effects Compositor |
| Visual Effects | Elizabeth Hitt | Animation Coordinator |
| Production | Jennifer Juen | Production Assistant |
| Production | Stephani Hunter | Production Secretary |
| Visual Effects | Uel Hormann | 2D Supervisor |
| Visual Effects | David Stump | VFX Director of Photography |
| Visual Effects | Erik Lee | CG Animator |
| Visual Effects | Wayne Kennedy | Character Modelling Supervisor |
| Sound | Yvette Marxer | Utility Sound |
| Camera | Todd Durboraw | Camera Loader |
| Camera | David Nims | Dolly Grip |
| Sound | Jerry Goldsmith | Conductor |
| Visual Effects | Dennis Webb | I/O Supervisor |
| Crew | Richard L. Hill | Pyrotechnician |
| Visual Effects | Etienne Andlau | Rotoscoping Artist |
| Visual Effects | Brian Keeney | Digital Effects Producer |
| Visual Effects | Stan Parks | Special Effects Supervisor |
| Crew | Phil Culotta | Stunt Double |
