A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.
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| Writing | Tom Hanks | Screenplay |
| Production | Edward Saxon | Producer |
| Editing | Richard Chew | Editor |
| Camera | Tak Fujimoto | Director of Photography |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Directing | Tom Hanks | Director |
| Production | Jonathan Demme | Producer |
| Sound | Howard Shore | Original Music Composer |
| Production | Gary Goetzman | Producer |
| Production | Terry Odem | Associate Producer |
| Art | Merideth Boswell | Set Decoration |
| Art | Victor Kempster | Production Design |
| Art | Dan Webster | Art Direction |
| Production | Howard Feuer | Casting |
| Production | Charles Skouras III | Unit Production Manager |
| Art | Pablo Ferro | Title Designer |
| Crew | Ken Peterson | Transportation Coordinator |
| Directing | Lisa C. Satriano | Second Assistant Director |
| Production | Ellen Adolph | Production Accountant |
| Sound | John Pritchett | Sound Mixer |
| Lighting | Randy Woodside | Gaffer |
| Costume & Make-Up | Audrey L. Anzures | Key Hair Stylist |
| Directing | Mark Cotone | Second Assistant Director |
| Directing | Anne Rapp | Script Supervisor |
| Costume & Make-Up | Cha Blevins | Costume Supervisor |
| Sound | Richard King | Supervising Sound Editor |
| Camera | Craig Haagensen | Camera Operator |
| Costume & Make-Up | Frank Griffin | Key Makeup Artist |
| Production | Robin Citrin | Location Manager |
| Costume & Make-Up | Kathryn Blondell | Hair Department Head |
| Crew | Marsha Robertson | Unit Publicist |
| Camera | Baird Steptoe | First Assistant Camera |
| Art | Will Blount | Property Master |
| Directing | Katterli Frauenfelder | First Assistant Director |
| Camera | Herb Ault | Key Grip |
| Costume & Make-Up | Daniel C. Striepeke | Key Makeup Artist |
| Camera | Gregory Lundsgaard | Steadicam Operator |
| Sound | Bob Beemer | Sound Re-Recording Mixer |
| Art | Keith P. Cunningham | Set Designer |
| Costume & Make-Up | Carolyn Elias | Hairstylist |
| Production | Dixie Webster-Davis | Extras Casting |
| Costume & Make-Up | Eva Prappas | Key Costumer |
| Costume & Make-Up | Donna O'Neal | Costumer |
| Crew | Dan Moore | Video Assist Operator |
| Camera | Phillip V. Caruso | Still Photographer |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Crew | John Glaeser | Cableman |
| Editing | Catherine Chase | First Assistant Editor |
| Sound | Kimberly Harris | Supervising ADR Editor |
| Camera | Richard L. Carden | Dolly Grip |
| Costume & Make-Up | Steve Artmont | Makeup Artist |
| Costume & Make-Up | Elizabeth Rabe | Hairstylist |
| Production | Christa Vausbinder | Production Supervisor |
| Sound | Alex Gibson | Music Editor |
| Costume & Make-Up | Alix Friedberg | Costumer |
| Art | Stella Vaccaro | Set Designer |
| Costume & Make-Up | Norma Lee | Hairstylist |
| Sound | Robert Renga | Sound Recordist |
| Lighting | R. Michael De Chellis | Rigging Gaffer |
| Camera | Doug Cowden | Best Boy Grip |
| Camera | Beth Horton | Second Assistant "B" Camera |
| Sound | Chris Carpenter | Sound Re-Recording Mixer |
| Directing | Pamela Cederquist | Second Second Assistant Director |
| Costume & Make-Up | Marsha Bozeman | Set Costumer |
| Art | Jon J. Bush | Set Dresser |
| Art | Hugo Herrera | Greensman |
| Sound | Deva Anderson | Music Coordinator |
| Costume & Make-Up | Valerie T. O'Brien | Key Costumer |
| Crew | Larry Stelling | Picture Car Coordinator |
| Crew | Thomas R. Ward | Special Effects Coordinator |
| Costume & Make-Up | Rick Sharp | Makeup Artist |
| Crew | Mike Paventi | Transportation Captain |
| Art | Bart C. Hubenthal | Set Dresser |
| Art | Charlie Daboub | Assistant Art Director |
| Costume & Make-Up | Margaret E. Elliott | Makeup Artist |
| Art | Christopher S. Nushawg | Assistant Art Director |
| Art | David T. Cannon | Construction Coordinator |
| Crew | Toni Basil | Choreographer |
| Sound | David M. Roberts | Boom Operator |
| Art | Patrik Alven | Assistant Property Master |
| Costume & Make-Up | Cindy Evans | Set Costumer |
| Art | James E. Marchwick | Set Dresser |
| Art | Martin Charles | Graphic Designer |
| Art | Masako Masuda | Set Designer |
| Art | Suzan Wexler | Set Designer |
| Costume & Make-Up | Larry Abbott | Makeup Artist |
| Costume & Make-Up | Janice Alexander | Hairstylist |
| Camera | Brent Lon Hershman | Second Assistant Camera |
| Art | Doug Sieck | Set Dresser |
| Lighting | Kent H. Jorgensen | Key Rigging Grip |
| Art | Tommy Samona | Leadman |
| Art | David A. Weinman | Construction Foreman |
| Sound | Frank Smathers | Foley Editor |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Gary A. Hecker | Foley Artist |
| Production | Meredith Tucker | Casting Assistant |
| Sound | Monique 'Nico' Salvato | Assistant Sound Editor |
| Sound | Nerses Gezalyan | Foley Recordist |
| Sound | Susan Dudeck | ADR Editor |
| Sound | Catherine Calleson | Assistant Sound Editor |
| Sound | David Boulton | ADR Mixer |
| Sound | Bobby Johanson | ADR Recordist |
| Crew | Adria Later | Studio Teacher |
| Editing | Phil Hetos | Color Timer |
| Production | John R. Hansen | Payroll Accountant |
| Editing | Gary Burritt | Negative Cutter |
| Sound | Kimberly Lambert | Dialogue Editor |
| Sound | Michael J. Benavente | Sound Effects Editor |
| Production | Bill Dance | Extras Casting |
| Sound | Nicholas Korda | ADR Editor |
| Sound | Carmen Flores De Tanis | Assistant Sound Editor |
| Sound | Jeffrey Wilhoit | Foley Artist |
| Sound | Robert Troy | Dialogue Editor |
| Sound | Craig Heath | Sound Recordist |
| Sound | James Matheny | Dialogue Editor |
| Sound | Jeffrey R. Payne | Foley Editor |
| Sound | Diane Linn | ADR Recordist |
| Sound | Adam Schlesinger | Music |
| Crew | Wayne Jones | Additional Music |
