Babe is a little pig who doesn't quite know his place in the world. With a bunch of odd friends, like Ferdinand the duck who thinks he is a rooster and Fly the dog he calls mum, Babe realises that he has the makings to become the greatest sheep pig of all time, and Farmer Hogget knows it. With the help of the sheep dogs, Babe learns that a pig can be anything that he wants to be.
Is Babe on Netflix? Yes! The movie Babe is now on Netflix in the countries listed below.
| Sound | Dana Porter | ADR Recordist |
| Production | Jane Maguire | Post Production Coordinator |
| Sound | Antony Gray | Dialogue Editor |
| Sound | Libby Villa | Dialogue Editor |
| Sound | Julius Chan | Sound Supervisor |
| Sound | Angus Robertson | Sound Effects Editor |
| Crew | Marcus D'Arcy | Post Production Supervisor |
| Production | Valerie McCaffrey | Casting |
| Sound | Andrew Plain | Sound Effects Editor |
| Sound | Jerry Long | Foley Artist |
| Sound | Gavin Myers | Foley Editor |
| Sound | John Penders | Sound Effects Editor |
| Sound | Lawrie Silvestrin | Sound Effects Editor |
| Sound | Robert Deschaine | ADR Mixer |
| Production | Liz Mullinar | Casting |
| Sound | Steve Burgess | Foley Artist |
| Camera | Jim Townley | Still Photographer |
| Camera | Robin Morgan | Key Grip |
| Camera | Barry Peake | Still Photographer |
| Costume & Make-Up | Louise Wakefield | Assistant Costume Designer |
| Art | Peter Pound | Storyboard Artist |
| Sound | Ben Osmo | Sound Recordist |
| Sound | Gerry Nucifora | Boom Operator |
| Costume & Make-Up | Carolyn Tyrer | Makeup & Hair |
| Art | Colin Gibson | Art Direction |
| Art | Kerrie Brown | Set Decoration |
| Camera | Andrew Lesnie | Director of Photography |
| Writing | Chris Noonan | Screenplay |
| Production | George Miller | Producer |
| Directing | Chris Noonan | Director |
| Production | Bill Miller | Producer |
| Production | Doug Mitchell | Producer |
| Editing | Marcus D'Arcy | Editor |
| Sound | Nigel Westlake | Original Music Composer |
| Editing | Jay Friedkin | Editor |
| Writing | George Miller | Screenplay |
| Camera | Nick Watt | Clapper Loader |
| Directing | P.J. Voeten | Second Unit First Assistant Director |
| Camera | Colin Deane | Focus Puller |
| Camera | Chris Hobbs | Clapper Loader |
| Camera | Toby Copping | Key Grip |
| Camera | Ken Arlidge | Second Unit Director of Photography |
| Camera | Katrina Crook | Focus Puller |
| Writing | Dick King-Smith | Novel |
| Art | Roger Ford | Production Design |
| Visual Effects | Simon Whiteley | Visual Effects Designer |
| Directing | Kate Dennis | Script Supervisor |
| Production | Philip Hearnshaw | Associate Producer |
| Production | Daphne Paris | Associate Producer |
| Production | Catherine Barber | Associate Producer |
| Production | Vanessa Brown | Production Coordinator |
| Directing | Simon Warnock | Second Assistant Director |
| Production | Sue Wild | Unit Production Manager |
| Directing | Philip Hearnshaw | First Assistant Director |
| Camera | Steve Newman | Camera Operator |
| Costume & Make-Up | Roger Ford | Costume Designer |
| Visual Effects | Tex Kadonaga | Modeling |
