Meet photographer, Chet. He's obsessed with finding "Miss Right." And it looks like Jazz will fit the bill. After all, she has all the right parts, in all the right places, and it's all the right size! (Plus, she was the "body double" for Julie Roberts in Pretty Woman!) She's the leader of an unemployed all - female band. And her buddy Mad Dog knows a perfect way to help Jazz out - he'll put on a bikini contest that will draw everyone's attention. Everyone - including the cops! And when Chet, Jazz and Mad Dog end up as roommates in a beach house, they're in for a summer they'll never forget. And neither will you!
Is Bikini Summer on Netflix? Unfortunately the movie Bikini Summer is not yet available on Netflix. Follow us on Facebook to see when Bikini Summer becomes available on Netflix!
| Production | Jean Levine | Producer |
| Writing | Robert Veze | Writer |
| Directing | Robert Veze | Director |
| Writing | Nick Stone | Writer |
| Production | Carlton Hollander | Associate Producer |
| Camera | Ken Blakey | Director of Photography |
| Editing | John Weidner | Editor |
| Art | Paul C. Cunnick | Production Design |
| Costume & Make-Up | Diana Phipps | Costume Design |
| Production | Paul G. Volk | Executive In Charge Of Post Production |
| Sound | John Gonzalez | Original Music Composer |
| Production | Robert Beal | Line Producer |
| Directing | Stacey Robin | Continuity |
| Directing | Robert Beal | First Assistant Director |
| Directing | Ray Thurman | Second Assistant Director |
| Camera | Todd McMullen | First Assistant Camera |
| Camera | Roberto Melgar | Grip |
| Sound | Mike Hall | Production Sound Mixer |
| Camera | Pamela Gale | Dolly Grip |
| Camera | Fred Sanchez | Key Grip |
| Directing | Laurel Fest | Script Supervisor |
| Camera | Frank Jacobellis | Grip |
| Camera | Michael Held | Grip |
| Production | Jean Levine | Unit Production Manager |
| Camera | Maurice K. McGuire | Second Assistant Camera |
| Directing | Felicia Miller | Second Second Assistant Director |
| Lighting | Dana Baker | Gaffer |
| Sound | James P. Slingluff | Boom Operator |
| Production | Victoria Hawley | Production Coordinator |
| Sound | Maurice K. McGuire | Boom Operator |
| Costume & Make-Up | Diana Phipps | Wardrobe Master |
| Art | Vincent Cascio | Set Dresser |
| Crew | Paul G. Volk | Post Production Supervisor |
| Costume & Make-Up | Judy Yonemoto | Makeup Artist |
| Sound | Troy Allen | Sound Re-Recording Mixer |
| Camera | Greg Degler | Still Photographer |
| Costume & Make-Up | Ken Lamplugh | Wardrobe Assistant |
| Production | Geraint Bell | Post Production Coordinator |
| Art | Mark Williams | Property Master |
| Production | Stanley Edward | Location Manager |
| Art | Gregory Elwood | Title Designer |
| Sound | Justin Melgar | Foley Artist |
| Sound | Bryan Mark | Sound Effects Editor |
| Sound | Freddy Howard | Foley Artist |
| Sound | Mark Allen | Supervising Sound Editor |
| Editing | John L. Price | Additional Editing |
| Sound | Arthur Farkas | Dialogue Editor |
| Editing | Chris Weber | Negative Cutter |
| Sound | Wynn Keyes | Foley Editor |
| Sound | Paul G. Volk | Music Supervisor |
| Sound | Rosa Allen | Foley Artist |
| Sound | Douglas Green | Sound Engineer |
| Sound | John Gonzalez | Music Editor |
| Art | Deneen Celecia | Title Designer |
| Sound | Mark Allen | Sound Re-Recording Mixer |
| Sound | Doris Miller | ADR Editor |
| Editing | Chuck Winston | Color Timer |
