In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
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| Writing | Woody Allen | Screenplay |
| Directing | Woody Allen | Director |
| Crew | Debora Fearon | Craft Service |
| Art | Santo Loquasto | Production Design |
| Camera | Zhao Fei | Director of Photography |
| Editing | Alisa Lepselter | Editor |
| Art | Tom Warren | Art Direction |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Production | Letty Aronson | Co-Executive Producer |
| Production | Jean Doumanian | Producer |
| Production | Charles H. Joffe | Co-Executive Producer |
| Sound | Dick Hyman | Music |
| Production | J.E. Beaucaire | Executive Producer |
| Art | Jessica Lanier | Set Decoration |
| Sound | Robert Hein | Supervising Sound Editor |
| Sound | Glenfield Payne | Sound Effects Editor |
| Production | Richard Brick | Co-Producer |
| Production | Jack Rollins | Co-Executive Producer |
| Costume & Make-Up | Laura Bauer | Costume Design |
| Production | Margo Myers | Unit Production Manager |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Les Lazarowitz | Production Sound Mixer |
| Camera | Gary Muller | First Assistant Camera |
| Art | Daniel K. Grosso | Leadman |
| Lighting | Jack Coffen | Best Boy Electric |
| Camera | Michael Green | Camera Operator |
| Art | Regina Graves | Assistant Set Decoration |
| Directing | Kay Chapin | Script Supervisor |
| Production | Pietro Lorino, Jr. | Production Accountant |
| Crew | Peter Bucossi | Stunt Coordinator |
| Sound | Bruce Pross | Foley Editor |
| Camera | A. Lee Morris | Camera Loader |
| Production | Richard Brick | Unit Production Manager |
| Production | Drew Dillard | Location Manager |
| Sound | Frank Kern | Foley Editor |
| Sound | Jay Peck | Foley Artist |
| Art | Ron Petagna | Construction Coordinator |
| Production | Abby Bailey | Assistant Accountant |
| Sound | Neil Riha | Boom Operator |
| Crew | John Ottesen | Special Effects Coordinator |
| Production | Patricia Kerrigan DiCerto | Casting Associate |
| Production | Laura Rosenthal | Casting |
| Sound | George A. Lara | Foley Recording Engineer |
| Camera | David E. Baron | Second Assistant Camera |
| Production | Juliet Taylor | Casting |
| Camera | George Patsos | Key Grip |
| Camera | John Clifford | Still Photographer |
| Directing | Lisa Janowski | Second Assistant Director |
| Lighting | Michael Proscia Jr. | Gaffer |
| Crew | Norman Douglass | Stunts |
| Crew | Ron Ottesen | Special Effects Coordinator |
| Production | Tom Yeager | Assistant Location Manager |
| Sound | Sylvia Menno | Dialogue Editor |
| Art | Peter Gelfman | Property Master |
| Directing | Richard Patrick | First Assistant Director |
| Production | Jennifer Silverman | Assistant Production Coordinator |
| Camera | Bob Brennan | Best Boy Grip |
| Production | Kimberly N. Fajen | Production Coordinator |
| Art | David Stein | Assistant Art Director |
| Art | Jessica A. Milstein | Set Decorating Coordinator |
| Art | Frank Didio | Head Carpenter |
| Crew | Margot Therre | Scenic Artist |
| Costume & Make-Up | Rosemary Zurlo | Makeup Artist |
| Art | Mark Bachman | Sign Painter |
| Art | Beth Kuhn | Assistant Art Director |
| Art | Paul Robinson | Assistant Art Director |
| Art | Robin McAllister | Assistant Property Master |
| Crew | James Sorice | Key Scenic Artist |
| Sound | Frank Graziadei | Sound Recordist |
| Production | Sarah Allentuch | Casting Assistant |
| Costume & Make-Up | Eva Polywka | Makeup Artist |
| Art | Hyun-joo Kim | Assistant Art Director |
| Crew | Cliff Schorr | Scenic Artist |
| Costume & Make-Up | Stephen G. Bishop | Hairstylist |
| Costume & Make-Up | Robert Kushner | Wigmaker |
| Costume & Make-Up | Milton Buras | Hairstylist |
| Sound | Bradford L. Hohle | Dolby Consultant |
| Costume & Make-Up | Heather Priest | Assistant Costume Designer |
| Editing | Sheri Bylander | Assistant Editor |
| Editing | Sara Corrigan | Assistant Editor |
| Production | Katherine Belsey | Post Production Coordinator |
| Costume & Make-Up | Bobby Frederick Tilley | Assistant Costume Designer |
| Costume & Make-Up | Suzanne Pettit | Wardrobe Supervisor |
| Crew | Carl Turnquest | Projection |
| Costume & Make-Up | Barrett Hong | Wardrobe Supervisor |
| Visual Effects | Thomas Rosseter | Visual Effects Supervisor |
| Production | Jessica Glass | Location Production Assistant |
| Production | Kim Noble | Location Assistant |
| Sound | Kate Eales | Assistant Sound Editor |
| Production | Steven Weisberg | Location Assistant |
| Production | Michael Anthony | Location Assistant |
| Production | David Brotsky | Location Production Assistant |
| Crew | Edward Iacobelli | Transportation Captain |
| Production | Kate Siamon | Location Production Assistant |
| Visual Effects | Camille Geier | Visual Effects Producer |
| Sound | Melanie Ryder | Assistant Sound Editor |
| Production | Christie Mullen | Location Assistant |
| Production | Meredith Garlick | Producer's Assistant |
| Production | Michael McBrien | Location Assistant |
| Crew | Alex Fernandez | Set Production Assistant |
| Crew | Kiersten Pilar Miller | Set Production Assistant |
| Directing | Brian A. York | Second Second Assistant Director |
| Crew | Sarah Rae Garrett | Set Production Assistant |
| Crew | Colin MacLellan | Set Production Assistant |
| Crew | Jason Rubenstein | Set Production Assistant |
| Crew | Patrick McMahon | Set Production Assistant |
| Art | Christian Halac | Art Department Assistant |
| Art | Jon Kaloudis | Art Department Assistant |
| Production | Ramsey Fong | Production Secretary |
| Art | Josh Wick | Art Department Assistant |
| Costume & Make-Up | Jennifer Newman | Wardrobe Assistant |
| Crew | Katy Kei Cunningham | Post Production Assistant |
| Costume & Make-Up | Elizabeth Roles | Wardrobe Assistant |
