While doing a series of reports on alternative energy sources, opportunistic reporter Kimberly Wells witnesses an accident at a nuclear power plant. Wells is determined to publicize the incident, but soon finds herself entangled in a sinister conspiracy to keep the full impact of the incident a secret.
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Production | Michael Douglas | Producer |
Production | Sally Dennison | Casting |
Camera | James Crabe | Director of Photography |
Art | Arthur Jeph Parker | Set Decoration |
Writing | James Bridges | Screenplay |
Editing | David Rawlins | Editor |
Art | George Jenkins | Production Design |
Costume & Make-Up | Donfeld | Costume Design |
Directing | James Bridges | Director |
Writing | Mike Gray | Screenplay |
Writing | T.S. Cook | Screenplay |
Production | Bruce Gilbert | Executive Producer |
Production | James Nelson | Associate Producer |
Visual Effects | Richard Edlund | Visual Effects Camera |
Crew | Bruce Mattox | Special Effects Assistant |
Costume & Make-Up | Eddie Marks | Costumer |
Production | Eileen Peterson | Publicist |
Directing | Joel Chernoff | Second Unit Director |
Visual Effects | Matthew Yuricich | Matte Painter |
Camera | Reynaldo Villalobos | Additional Camera |
Art | S. Bruce Wineinger | Construction Foreman |
Sound | Lorane Mitchell | Sound Effects Editor |
Camera | Peter Sorel | Still Photographer |
Art | R. Chris Westlund | Leadman |
Sound | Gene Corso | Sound Effects Editor |
Camera | John Szajner | Second Assistant Camera |
Costume & Make-Up | Aggie Guerard Rodgers | Costumer |
Sound | Dan Wallin | Scoring Mixer |
Crew | Craig Pinkard | Transportation Coordinator |
Art | William Maldonado | Construction Coordinator |
Sound | Mary McGlone | Sound Effects Editor |
Sound | Michael Minkler | Sound Re-Recording Mixer |
Crew | Edward Baken | Transportation Captain |
Sound | Jim Henrikson | Music Editor |
Directing | Marshall Schlom | Script Supervisor |
Costume & Make-Up | Bernadine M. Anderson | Makeup Artist |
Sound | Willie D. Burton | Sound Mixer |
Camera | Robert Duggan | Best Boy Grip |
Production | Ronnie Kramer | Production Secretary |
Costume & Make-Up | Don Schoenfeld | Makeup Artist |
Camera | Mike Sweeten | Camera Operator |
Crew | Henry Millar Jr. | Special Effects |
Directing | Kim Kurumada | First Assistant Director |
Sound | Marvin E. Lewis | Boom Operator |
Sound | Arthur Piantadosi | Sound Re-Recording Mixer |
Sound | Michael Boddicker | Musician |
Production | Bruce Nahin | Production Assistant |
Art | Terry E. Lewis | Property Master |
Art | Rudy Reachi | Assistant Property Master |
Sound | Les Fresholtz | Sound Re-Recording Mixer |
Lighting | Daryl Smith | Best Boy Electric |
Production | Stanzi Stokes | Casting Assistant |
Production | Marty P. Ewing | Production Assistant |
Art | William Ladd Skinner | Set Designer |
Camera | Robert Isenberg | Assistant Camera |
Production | James A. Dennett | Production Manager |
Crew | Robert W. Harris | Cableman |
Editing | Francesca Emerson | Assistant Editor |
Costume & Make-Up | Kaye Pownall | Hairstylist |
Production | James Nelson | Unit Production Manager |
Sound | Samuel C. Crutcher | Assistant Sound Editor |
Crew | Bryce Guy Williams | Stunt Double |
Camera | Tom Prophet Jr. | Key Grip |
Sound | Fred J. Brown | Sound Effects Editor |
Lighting | James O. Blair | Gaffer |
Production | Douglas E. Stoll | Location Manager |
Directing | Barrie M. Osborne | Second Assistant Director |