Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
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| Editing | Steven Weisberg | Editor |
| Camera | John Bailey | Director of Photography |
| Camera | Charles Minsky | Director of Photography |
| Art | Peter Rogness | Art Direction |
| Production | Tara Jayne Rubin | Casting |
| Production | Amy Herman | Producer |
| Art | Mark Friedberg | Production Design |
| Sound | Glen Kelly | Original Music Composer |
| Production | Jonathan Sanger | Producer |
| Production | Mel Brooks | Producer |
| Writing | Thomas Meehan | Screenplay |
| Costume & Make-Up | William Ivey Long | Costume Design |
| Art | Ellen Christiansen | Set Decoration |
| Writing | Mel Brooks | Screenplay |
| Directing | Susan Stroman | Director |
| Sound | Doug Besterman | Orchestrator |
| Production | Leah Zappy | Associate Producer |
| Directing | Sam Hoffman | First Assistant Director |
| Sound | Lon Bender | Sound Designer |
| Sound | Tod A. Maitland | Sound Designer |
| Crew | Warren Carlyle | Associate Choreographer |
| Crew | Susan Stroman | Choreographer |
| Directing | Michelle L. Keiser | Second Assistant Director |
| Production | Amy Herman | Unit Production Manager |
| Costume & Make-Up | Gail A. Fitzgibbons | Costume Supervisor |
| Costume & Make-Up | Kevin Draves | Costume Supervisor |
| Production | Jennifer Zolten Freed | Post Production Accountant |
| Crew | Marsha Robertson | Unit Publicist |
| Camera | Scott Tinsley | Second Assistant Camera |
| Camera | Beka Venezia | Camera Loader |
| Costume & Make-Up | Thomas Beall | Assistant Costume Designer |
| Costume & Make-Up | Victoria Wood | Wigmaker |
| Costume & Make-Up | Todd Kleitsch | Special Effects Makeup Artist |
| Sound | Nicholas Renbeck | Dialogue Editor |
| Sound | Dan Korintus | Dialogue Editor |
| Editing | William Kruzykowski | Additional Editor |
| Art | Sandy Hamilton | Property Master |
| Production | Penni Smith | Payroll Accountant |
| Costume & Make-Up | Jerry Popolis | Hair Department Head |
| Lighting | Kevin Janicelli | Rigging Gaffer |
| Production | Betsy Alton | Production Coordinator |
| Sound | Dan Lieberstein | Supervising Music Editor |
| Crew | G.A. Aguilar | Stunt Coordinator |
| Art | Gay Howard | Art Department Coordinator |
| Costume & Make-Up | Naomi Donne | Makeup Designer |
| Costume & Make-Up | Kate Biscoe | Makeup Department Head |
| Camera | Daniel Beaman | Dolly Grip |
| Sound | Michael Scott | Boom Operator |
| Art | Mark Pollard | Graphic Designer |
| Editing | Rick Derby | Assistant Editor |
| Sound | Dave Paterson | Sound Effects Editor |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Lighting | Michael J. Maurer | Best Boy Electrician |
| Visual Effects | Steven Kirshoff | Special Effects Supervisor |
| Sound | Lon Bender | Supervising Sound Editor |
| Costume & Make-Up | Elizabeth Shelton | Assistant Costume Designer |
| Costume & Make-Up | Kyra Panchenko | Makeup Artist |
| Art | Rena DeAngelo | Assistant Set Decoration |
| Sound | Sean Garnhart | Sound Effects Editor |
| Lighting | Mike Moyer | Chief Lighting Technician |
| Directing | Kathryn-Ann Oaks Shertzer | Second Second Assistant Director |
| Sound | Warren Shaw | Sound Effects Editor |
| Directing | Jessica Lichtner | Script Supervisor |
| Camera | Andrew D. Schwartz | Still Photographer |
| Camera | Bobby Mancuso | First Assistant Camera |
| Costume & Make-Up | Lisa Layman | Makeup & Hair |
| Camera | Patrick McGrath | Dolly Grip |
| Camera | Bob Becchio | First Assistant Camera |
| Costume & Make-Up | Karen Specht | Key Hair Stylist |
| Camera | Glen Engels | Best Boy Grip |
| Camera | Andrew Casey | Camera Operator |
| Sound | Timothy R. Boyce Jr. | Utility Sound |
| Production | Whitney J. Willard | Production Accountant |
| Production | James Hinton | First Assistant Accountant |
| Camera | Patrick Capone | Camera Operator |
| Camera | Richard Guinness Jr. | Key Grip |
| Camera | Amanda Hudson | Second Assistant Camera |
| Sound | Tod A. Maitland | Production Sound Mixer |
| Sound | Robert Fernandez | Sound Re-Recording Mixer |
| Editing | Devon Miller | Digital Intermediate Editor |
| Sound | Christopher Assells | Sound Effects Editor |
| Sound | Missy Cohen | Music Editor |
| Sound | David Boulton | ADR Mixer |
| Sound | Bradford L. Hohle | Dolby Consultant |
| Sound | Bill Orrico | Assistant Sound Editor |
| Editing | Jim Passon | Color Timer |
| Sound | John M. Davis | Music Editor |
| Sound | Allen Lau | Assistant Sound Editor |
| Sound | Bill Sweeney | Foley Editor |
| Editing | Mo Henry | Negative Cutter |
| Sound | Jay Peck | Foley Artist |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Sound | Gina Alfano | Supervising ADR Editor |
| Crew | James Fanning | Transportation Captain |
| Sound | Bobby Johanson | ADR Mixer |
| Sound | Ryan Collison | Foley Mixer |
| Editing | Michael Kennedy | Digital Intermediate Producer |
| Crew | Blaise Corrigan | Stunt Coordinator |
| Sound | Mel Brooks | Songs |
| Art | Jeffrey Rollins | Set Dresser |
| Crew | John Cenatiempo | Stunts |
| Visual Effects | Dan Cox | Modeling |
