A huge bird swoops down and kidnaps Princess Indumati. The army's scoured the whole area and the neighboring kingdoms but there's no trace of Princess Indumati. The only thing Bheem finds was strange bird-feathers from the land of Incas. Bheem and team starts searching in the forests of Mexico where Dholu-Bholu fall off into a river. Bheem and others jump in to save them but are soon carried off by the rivers currents to the shores of a desolate valley. The valley is covered with heaps and heaps of ashes all around one such mound lie near the princess bangles. The sun rises and the mounds of ashes takes the shape of humans. The Incas where they meet Princess Indumati.
This observational film, marked by subtle shifts in color, shows ever-present children watching on as standard food preparation activities and the not-so-organized production of meat products are carried out in the village.
The filmmaker goes to discover Meir the village where her great-grandparents were born, the place her grandparents left, but continued to love. When she goes, she discovers a village that people are trying to leave.
Gui Kingdom is in crisis: the Demon Society has long desired the Kingdom’s treasured Dragon and Phoenix swords. Entrusted with the task to protect the sword and princess, Jhuge-Shiro (Shiro) rises to fight against the Demon Society but must also deal with the vengeful Zhen Ping (Ping).
Fai and her mother wait hopefully for help from her father, who has traveled far to the big city to seek aid from those in power to save their family from the encroaching wildfire. Meanwhile, her mother is teaching Fai to dance as an angel to ask for blessings from the gods, believing that the wildfire is a divine punishment from the heavens.