'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair.
Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.
Thomas and the steam trains spring into action when Porter and the diesel engines run into a series of accidents that throw their deliveries off track.
Three stories revolving around 3 elements: the painting, the sofa and the comet. The 3 chapters that compose it are also linked together by these elements that give the entire film a circular structure, just like the sad fate of Sisyphus who was condemned to push a huge stone to the top of a hill.
Gui Kingdom is in crisis: the Demon Society has long desired the Kingdom’s treasured Dragon and Phoenix swords. Entrusted with the task to protect the sword and princess, Jhuge-Shiro (Shiro) rises to fight against the Demon Society but must also deal with the vengeful Zhen Ping (Ping).
Sahara abu Jamal, 19, lives in the Occupied Territories. She is engaged to Walid abu Said, 30 of Jaffa, as part of an arranged marriage. While being searched at a security checkpoint, in the darkest and bleakest of places, sexual tensions arise between Sahara and the checkpoint’s Chief female officer.
This observational film, marked by subtle shifts in color, shows ever-present children watching on as standard food preparation activities and the not-so-organized production of meat products are carried out in the village.
The movie revolves around a young girl who has the ability to know events before they happen. Will this special ability that she possesses become a curse or a blessing for those around her?
Ruth de Souza inaugurates the existence of black actresses on stage, television and cinema in Brazil. She carries within her the genesis of an important part of the achievements for black women over almost a century of life. At the age of 95, surpassing 70 in her career, amidst reflections and memories, a dialogue was born between two generations of black artists, Ruth and the director.
Einstein proposed that time might not flow linearly, suggesting that spacetime bends and warps under powerful matter, seen as gravity's fluctuations. During the pandemic, people experienced this concept firsthand: shrinking horizons made time seem to both stand still and race forward. Daniel Cockburn’s video Ahead of the Curve reflects this surreal period when norms vanished, and internet rabbit holes drew people in—either as black holes for doomscrolling or wormholes to discovery. Through a darkly comic narrative, Cockburn spins a tale full of unexpected twists, linking past and present with disorienting shifts in tone, setting, and tempo, offering hints of what might lie ahead.
Albert, our clockmaker, goes inside the giant village clock to understand why it is blocked. He will discover a whole world of clock parts and cuckoos going crazy.
Fedor is a young locksmith in Murmansk, a frozen city in the obscurity of the Russian Arctic. Client after client, he roams through the alleys of concrete animated by a fantasy that isolates him from the city and its population. His dreams corrode his relation to reality and open the door to a phantasmagoric universe; a second sun is rising above the Russian Arctic.